Each week PAPER will help you sort through your feelings about Mad Men
by rounding up the best and brightest of the MM recaps. Read below so
you can compare, contrast, and ponder while awkwardly hugging your secretary.
Did Mad Men do a good job of dealing with MLK's assassination?"One of the things
Mad Men has always understood was that we can only grasp collective history through our own personal history. That's why the question that's always asked is 'Where were you when it happened?'...the show puts the killing both front-and-center and on-the-sidelines, focusing on examining its characters in the wake of the news." --
EW"I mostly didn't like the episode. This is the episode where, to intentionally mangle a Malcolm X phrase,
the chickens of
Mad Men's whiteness finally came home to roost. I'm not
saying
Mad Men didn't deal with the assassination honestly...But there was more they should have done, and
they couldn't do it, because they'd failed to set Dawn up as a
character...I think some viewers may look at Dawn's what, eight
lines in this episode, and insist that it's proof of the show's
integrity -- that they couldn't have gone any further with her because
that would have been a clichéd way to deal with the assassination of
Martin Luther King Jr., by suddenly taking this very white show and
making it about the only significant black character." --
Vulture"On the one hand, it would be impossible to set this season in 1968 and
then plow over King's murder. On the other hand, trotting out this
tragic event as a plot device feels unsavory, somehow. Yes, I know,
there was the JFK episode. That one worked, though, whereas this one
felt like it was lifted straight out of 'The Wonder Years' -- only less
poignant." --
Salon"[The episode] seemed to treat race rather obliquely." --
Slate"It was unlikely Matthew Weiner would be able to top the raw emotional
sucker punch of November 22nd, 1963, when it came time to tackle the
Martin Luther King Jr. assassination. But he didn't need to, because the
country was in a very different place in 1968 than it was four and a
half years earlier. As his characters demonstrated, April 1968 is a way
more jaded era." --
Rolling Stone"Ginsberg's story line is one of many throughout the episode that
explores the arguably misguided effect King's murder had on Americans.
There is not one instance that discusses King's direct impact on civil
rights, or on any of the characters on
Mad Men. The only
African-American characters of note, Dawn and Peggy's secretary Phyllis,
are in one scene apiece, and their presence is merely to demonstrate
how far removed the main characters are to their black secretaries'
experience." --
Rolling Stone"I love this show, but let's be honest: Matthew Weiner has not engaged
with race as enthusiastically as he's engaged with feminism,
anti-Semitism, the changing of the generational guard, and other
subjects. I think he's afraid of it. He's afraid of doing it wrong. He's
afraid of doing it badly. And this fear has come through in the show."
--
Vulture"Peggy tells Phyllis, her assistant, 'It could've been worse.' She's
referring to Harlem's reaction to the assassination, but Phyllis' face
suggests that nothing could be worse. It's the worst that Dr. King is
dead. It's the worst that Peggy doesn't hear how her sentence sounds.
It's the worst that these characters can't really connect to help each
other. Mostly, we saw the worst in people. That's why you watch in
the first place, isn't it?" --
ComplexDo we feel differently about Pete?"You know it's a world gone terribly awry when Pete Campbell seems like a
good guy...Pete is
indeed a world-class jackass much of the time, but he's always been
remarkably forward-thinking and egalitarian when it comes to matters of
race." --
Huffington Post"Pete slams [Harry] for his lack of sensitivity, calling
him a racist. At least Harry is being honest. Pete is using the
assassination as a cover for his frustration that Trudy won't let him
back into the house." --
Rolling Stone"Yes, this [episode] makes me like Pete a little.
I know.
Grief causes people do strange things and all that. [But] Pete is pretty much the only partner on the right
side of history here. Pete! With his hairline and his stupid pick-up
lines and his Don envy!" --
TV Line"You're on the verge of cheering for Pete as he creates a space on the
show for all of the nation to feel the full force of Dr. King's death,
and then he ruins it by reducing it to the personal." --
ComplexHarry still sucks. "Harry is a shit stick though, and while the real estate agent's
opportunism over everyone being upset was borderline, Harry's was over
the top." --
Collider"Harry Crane...is only concerned with how the assassination is affecting TV ad sales. Harry used to be a lovable underdog, but now every time he opens his mouth, my eyes roll like marbles. He seems like the kind of guy who would complain about there not being a White History Month or how women don't like him because he's 'too nice.'" --
EW"Harry and Pete both may be unhappy, skirt-chasing ad men, but their loud
confrontation reminded us how very different they are at their cores.
It's hard to think of this kind of tragedy prompting the blinkered Harry
into trying to make a real connection with another human being,
particularly someone of another race." --
Huffington PostJoan hugging Dawn was the definition of awkward."Joan leans in for an extremely awkward consolatory hug that neatly summed up the office's nervous weirdness about how to treat their black employee on this day." --
EW"Joan...looked even more awkward trying to hug a
surprised Dawn. That sort of emotional moment doesn't come easily to Don
or Joan, especially with employees, and the Dawn scene reflected that." --
Huffington Post"We don't see Dawn, Don's secretary, until 28 minutes into the show when
she appears for work the day after. Grief and chaos have made her
unemotional and she stands rigid when Joan leans in for as awkward a hug
as you will ever see." --
LA Times"Joan comes into Draper's office to announce that they're closing early
and to give Dawn the most awkward, least comforting hug I've witnessed
in quite some time." --
TV LineDoes Don have true feelings for Sylvia?"Don's reaction to the news is one of concern, but not for his wife and kids. He tries to track down Sylvia...It's hard to tell whether Don Draper is falling in love with yet another new beginning, but his worrying seems to indicate there's more emotional attachment there than even he may wish." --
EW"When tragedy strikes, Don is immediately focused on D.C. and Sylvia,
distraught at being unable to reach the Rosens, watching the news for
hopes of D.C. mentions that might assuage his fear. Per usual, Don has
misplaced feelings." --
Collider"It might seem like he's starting to feel real love for Silvia, but more
likely he's just using his affair to shield himself from the pain of the
current moment. (The affair still seems to spring more from Don's
admiration and envy of Arnold than it does from his appreciation of
Silvia.)" --
SalonDon bonds with Bobby."Don has always...been a cipher to his son. Up until this point, the show has treated the poor kid like window dressing, as much a part of its meticulous recreation of period life as a Zenith television or a pack of Lucky Strikes...But when he ends up spending the day with his father -- the two of them using each other as an excuse not to attend a vigil in the park -- it's clear that the boy's a lot sharper than either us or Don have given him credit for...That his son has somehow inherited his appreciation for art, for the power of imagery, despite his utter lack of involvement, stirs something in him." --
EW"But because we don't know Bobby that well...Don's big feelings here don't do much for us." --
Salon"Bobby reassures a black usher that the movie
theater's patrons aren't necessarily uncaring about the previous day's
events, but that 'everybody likes to go to the movies when they're sad.'
It's a heartfelt bit of pure empathy from the mouths of babes, and it
makes Don realize that his son has somehow turned out a good egg despite
his and Betty's abysmal parenting." --
EW
Does this mean Don's changing?"Finally, after all this time, Don is realizing the price you pay for keeping others at arm's length until it's too late." --
EW"The assassination of Martin Luther King gives [Don] another reason to
drink heavily. Like he needed one! But it also gives him an opportunity
to rethink his role as a parent, to think about his shortcomings and
insecurities." --
Vulture"The assassination of Martin Luther King has forced Don to bond with
his son Bobby...He now finally feels the
love and the pain of fatherhood. 'It feels like your heart is going to
explode.'" --
US News"Don's emotional revelation about faking his feelings towards his kids
left me cold. Get your shit together, Don. Nobody's crying for you
anymore." --
Collider"But at that moment in the empty movie theater, when Bobby reached out to
the sad-looking usher, the pretend love became real love...Dammit, Don, stop making me like you
again. --
Rolling Stone"I've sensed brewing
Mad Men backlash this season...The most common complaint I've heard
is that Don Draper has failed to progress as a character and is
congealing into a grim, awful man. I actually find that a fascinating
development -- I'm impressed by a show that, steadily over the course of
several seasons, manages to turn a sexy pop culture heartthrob into a
figure both reviled and pitied. And in this episode, I felt, we saw Don
evolve in unexpected ways." --
SlateOMG, Ginsberg's date. "'You like kids?' Ginsberg asks a pretty young woman his father has set
him up with, before bumbling into a full-on Woody Allen-like confession
about his virginity." --
US News"[Ginsberg's]
date with the schoolteacher goes well, despite being cut short by the
tragedy and despite his attempt to test her interest by rambling about
his virginity. Clearly, she's attracted to the goofy Jewish boy with the
Tom Selleck mustache." --
EW "I'm optimistic for a second date. After all,
Beverly didn't bolt after Ginsberg let it slip that he's still a virgin."
--
Rolling Stone"Based on the charm he displayed on his big date with Beverley, Ginsburg
is going to remain a virgin for some time to come. His running
commentary on what a terrible date he was, however, was pretty amusing."
--
Huffington Post"The younger Ginsburg is a bundle of neuroses, and while still in the
cocoon of not knowing the tragic news, offers an incredibly frank
assessment of himself. 'I'm sure my father told you what a Lothario I
am, but I am not. I'm very anxious about it. I've never had sex. Not
even once.'" --
LA Times"And they went in unto Noah into to the ark.""'The Flood' was, in part, about who you call when the flood waters are
rising. In the wake of a tragedy like the assassination of an
inspirational leader, where do you find your comfort? --
Collider"The episode's title 'The Flood' comes from Mr.
Ginsberg's Biblical admonition, 'In the flood, the animals went two by
two. You're going to get on the boat with your father?' It's no
coincidence that he cites the story of Noah, the original dad with a
drinking problem. When his own personal apocalypse comes, will Don have
anyone to march with? --
EW"Most of the scenes in the rest of the episode featured two people. Two
by two, as happened when people boarded the Ark during the flood. This
being 'Mad Men,' most of the pairings weren't quite in harmony." --
Huffington Post"'The Flood' presents various
stage of that process - pairing up and becoming parents. Ginsberg's date
is its first step. Don is rediscovering it, years into the storm, in
his newfound affection for his son. And Pete is realizing he is losing
it, as Trudy turns down his offer to return home comfort her and their
daughter through the MLK tragedy." --
US News
Peggy's getting it all, but are we happy about it?"She loses the bid on upper east side condo, but when Abe mentions the
prospect of them having children together, [Peggy] lights as if she has won
already everything else. The once lowly secretary now has it all, or
most of it, anyway: a boyfriend, financial security, a career, a boss
who adores her." --
US News"Abe...is encouraging his girlfriend to buy something in the "West 80s."
And Peggy has fallen hook, line and sinker for this plan, even though
Abe's not ponying up a cent for this purchase. Why? Because he slipped
the phrase "raising our kids" into his argument for moving into a more
"diverse area." Those three little words knocked all sense of pragmatism
out of Peggy's head and reduced her to a giggling schoolgirl. Don't let
that guy's name appear on any legal documents until he's put a ring on
it, Pegs." --
Rolling Stone"When [Abe] mentions the fact that he didn't see them raising their kids
in the tony Upper East Side, Peggy radiates relief and joy. Where Don's
marriage was a makeshift thing thrown together over a vacation to
Disneyland, Peggy's will be one constructed slowly, brick-by-brick." --
EW"It's hard not to have my heart tied up in knots when Peggy looks as
hopeful as she did after Abe mentioned the prospect of children. I
desperately want Peggy to have hope in her life...But I can't help but feel that, as with the case with the apartment,
Peggy and Abe are not 'meant to be.' In my view, Peggy is settling for
this guy, and because she's awesome, I want more for her than she wants
for herself. But experience has been a harsh teacher, as evidenced by
Peggy's intermittent desire to tamp down her exuberant smile. Oh Pegs. I
want more for you, but I also fear that you want more than you're going
to be able to handle." --
Huffington Post"I've
never seen Peggy happier. I am eager to follow her quest to have it all
(mom, breadwinner, supporter of starving journalist) as well as her
real estate hunt." --
Slate
Are we on Betty's side this week?"What didn't work for me: I didn't believe that Betty, despite being the
worst, would really want her kids in the city, to the point of not
letting Don just come and get them the next day. Betty may be a horrid
mother sometimes, but that seemed unreasonable, even for her. What an
ungainly plot contrivance." --
Huffington Post"Speaking of personally exploiting the assassination: I think Betty's
right when she accuses Don of using fear of rioters as a pretext to get
out of his parenting duties." --
Vulture"Betty is petrified that the world is gonna go up in flames, and the
flames are gonna creep up to her door. She doesn't want her kids to see
the world burning on the TV. She denies it all, to the point where she
guilt-trips Don into picking up the kids for the weekend and not
breaking their child custody routine." --
Vulture"Though she requires Don to pick up the kids, is it of any wonder? He
did forget them, and he does ignore them (and also, Betty has a tendency
to call him during times of crisis)." --
ColliderAnd Ethan from Lost has a cameo as "Randy!" What does it mean?"Creepy Ethan from "Lost" turned out
as an out-to-lunch weirdo." --
Huffington Post"Randall was just another reminder that the kind of elegant
obfuscation that is Don's stock in trade is largely going by the
wayside. Don keeps encountering people who assault his worldview --
hippies, rock chicks, swingers, drugged-out weirdos -- and if, like
Harry, he thinks this is all going to stop soon, he's got another thing
coming." --
Huffington Post"It's like Randy is a 1960s version of
Saturday Night Live's Stefon." --
TV Line"'This is an
opportunity,' said Randy the insurance guy, an awkward, on-the-nose
moment in an episode filled with such moments. 'The heavens are telling
us to change.' But even if Don wants to change (which he keeps saying)
and tries to change (what could be more of an attempt to change than
spending time with his son?), it's not clear that he can change in any
permanent way. Sometimes redemption doesn't come so easily." --
Salon