Attendees of OHWOW's L.A. reception for Daniel Arsham's "the fall, the ball, and the wall," check themselves out in a mirror flanked by a dripping wall, one of Arsham's several "structural interventions" featured in the show. Photo by Douglas Neill.Attendees of OHWOW's L.A. reception for Daniel Arsham's "the fall, the ball, and the wall," check themselves out in a mirror flanked by a dripping wall, one of Arsham's several "structural interventions" featured in the show. Photo by Douglas Neill.
