I love a nice, juicy memoir about an insanely horrible childhood -- and Storm Large's Crazy Enough is exactly that. Large's new book is a true page-turner and details growing up with a cuckoo-crazy mother and ending up a rock 'n' roll junkie and sex addict. But Large is able to laugh at herself and the various hair-raising situations she's found herself in. For instance, her mom serves Storm "shicken mush" with a nice dollop of Calgonite dish powder. She lies about her age (saying she's younger than she actually is) when having inappropriate underage sex at family gatherings. Basically, all horrifying stuff -- but somehow she makes us laugh as we groan and feel amazed that she survived it all. We chatted with Large, whom we first met as a singer with the popular band Pink Martini, to find out how Crazy Enough was born. Oh, and check here to see when Storm is coming to a town near you!What prompted you to write a memoir?
I got shanghaied into doing it. I wrote a one-woman show called Crazy Enough and my buddy, Larry Colton, sent the script to his book agent. From there, the agent, Richard Pine, along with Larry, started harassing me into writing a book proposal.
You've had a life that many people would describe as traumatic, but you seem to have such a great perspective and sense of humor about it. Has that always been the case?
Oh, heavens no. I felt sorry for myself most of the time when I was much younger. That's why I did so much reckless and stupid shit. The one thing that's been consistent, though, has been my sense of humor. As miserable as things would get, I could always find something funny about it, sometimes after the fact. But hindsight is 20/20 and, in my case, I can usually see clear through the crap to the funny.
When did you start being able to laugh at your past?
Usually within minutes of getting over something. It's a little obnoxious but it's kept me alive.
Has your dad read the book?
I don't think so but a few colleagues of his have read it and give him glowing reviews on my writing. Many with the caveat: "Mmmm, maybe you shouldn't read it, Henry." However, the fact that his fellow teachers were impressed, he's feeling a little less tense about it. So far no one has called him and said, "Wow, Henry, what a big fat whore your kid was! I had no idea!" Which is nice.
Performing has been an amazing survival technique for you. What about it is so therapeutic?
Being on stage, for me, is the safest place I've ever known. Most of my life I felt completely unloved, unlovable, despicable and ugly. I saw no way to lift up and out, other than with the specks of transient pleasures in sex and getting high. Performing and playing music turned all that around for me. It's more tangible than sex, more satisfying and way healthier than speedballs. Music is where everybody goes to express something or let something go and to be at the helm of that energy, to be the conductor of that wild ride for people -- there are no words to describe it. But it sure feels like all the love in the world in that moment.
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Stella McCartney 
Jacket and overalls by Courrèges.
Bathing suit, trousers and poncho by Paco Rabanne.
Make-it-yourself paillette "dress kit" by Paco Rabanne.
Bathing suit and tote bag by Pierre Cardin, vintage Charles Jourdan shoes.
Dress and purse by Courrèges, shoes photographer's own.
Bathing suit, purse and cigarettes by Pierre Cardin. 
Jacket by Courrèges. 
With Mad Men's fifth season premiering on Sunday, March
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One of the most compelling, original and regrettably overlooked filmmakers to emerge from the creative maelstrom of downtown New York City in the daze of yore, Sara Driver is the subject of a long-overdue retrospective at the Anthology Film Archives. After Driver was relegated to recent obscurity, the discovery of You Are Not I (Driver's haunting psychological portrait of a young schizophrenic let loose upon the world but not from her mind) and its stunning inclusion in the New York Film Festival, has brought new attention to this most idiosyncratic and personal of directors. You Are Not I was thought long lost, until a print of it was found in the home of writer Paul Bowles -- whose story was the basis for Driver's film.![YOU ARE NOT I 3[2].jpg](http://www.papermag.com/uploaded_images/YOU%20ARE%20NOT%20I%203%5B2%5D.jpg)
Suzanne Fletcher in You Are Not Alone. Photo by Nan Goldin courtesy of Sara Driver.
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