The Trailer for Netflix's Wet Hot American Summer Prequel is a Beautiful VHS Ad
Updated: Did You Guess It? OG Maco Just Outed Himself as a Meninist
Beware of anyone (Vine-infamous, Migos-affiliate or not) who tries to guilt you into doing anything you're uncomfortable with, especially if they use an antiquated, Victorian-era courting protocol as justification. Be fair, not foolish: Just go Dutch on this shit and be done with it.
UPDATE:
OG Maco responded to our post with the following. We've reached out to his publicist for an interview:
"There Is No Line": Natasha Leggero, Riki Lindhome and the Next-Level Insanity of Another Period
Out and Proud: Meet Country Music's LGBT Avant-Garde
"I'm crying in a damn @McDonalds restroom in VA Thx to you both, @TyHerndoncom and @BillyGilman." That was LeAnn Rimes tweeting about the courage of two of her country music colleagues, both of whom publicly came out of the closet last year.
But let's back up a bit. The first major country star to speak openly about being gay was Chely Wright, who came out in 2010. A 44-year-old native of Kansas City, Missouri, who rose to prominence in the late '90s with a slew of sassy, pop-influenced singles, Wright tells me about her years in the closet in a calm voice that belies her agitation: "I can't overstate how debilitating it was... that fear that I was going to be outed." Her turning point came in 2006, when a breakup with a woman she loved almost caused her to end her own life with a 9-millimeter handgun. It was then that she decided to unburden herself of her secret.
Billy Gilman, 27 years old and originally from Westerly, Rhode Island, was only 11 when he landed on the Billboard country music charts with his hit "One Voice." Gay rumors abounded for years and prevented Nashville execs from booking him. As he speaks, his confident tone wavers only when he recalls the threat of getting outed: after a reporter snapped photos of Gilman and his boyfriend attending a local festival together, he decided that he needed to share his personal truth before a media outlet did so for him.
Ty Herndon, 53, who was nominated for a Grammy in 2010 for his album Journey On, lived in terror of being shunned by the industry -- and by the Christian community in his hometown of Butler, Alabama. "Being a young kid and hearing that you're going to burn in hell for who you are was a pretty bad thing for a young fellow to hear," he says. Herndon strived to pass for straight, struggling through two marriages to women who kept his secret, and fell into drug and alcohol addiction. "I was in such pain," he says. "My family and friends had known I was gay for a long time, and it was time for the fans to know."
Having all graced the Grand Ole Opry and beyond, Wright, Herndon and Gilman needed to come out in a public way. In May 2010, Wright made country music history when she revealed her story in the pages of People Magazine. (She later told the Today show, "I feel as if it's my birthday.") She continued to speak about her journey in her memoir Like Me: Confessions of a Heartland Country Singer and the documentary Wish Me Away.
Herndon and Gilman spoke publicly about their sexual orientation just last year -- on the same day, coincidentally. On November 20, Herndon spoke with People.com and Entertainment Tonight; he told the former, "I'm an out, proud and happy gay man... I'm looking forward to living the rest of my life authentically." Gilman made his announcement in a simple YouTube video. Though he confesses he's not well versed in social media, Gilman liked the immediacy and intimacy of speaking directly to his fans via YouTube. "I can honestly say I'm scared to death," he says in the five-and-a-half-minute clip. "But it was time for me to be honest." (Gilman also gives a nod to Herndon in the video for his "courageous effort" earlier that day.)
The three artists have received mixed responses from the Nashville industry and their fans. Wright, the trailblazer, took much of the heat. In 2011, she told the lesbian blog Autostraddle, "My life has been threatened. I get nasty letters every day." She tells me that the reaction comes as no surprise in America's homophobic climate: "Half of the nation is not OK with equal rights for people like me. Why would anyone think that country music would fare better than the nation?" At the same time, she says, "The positive side of coming out in country music, or any type of traditionally conservative genre, is that you get a chance to move the needle."
Of course, there's more to this part of the story than bigots and trolls. Gilman has received hundreds of thank-you emails from fans who remain in the closet. Herndon has been moved to tears by the fans who've drawn strength from his example. He says, "Two days after I came out, this 17-year-old kid brought his parents to see my show, and he said, 'After you came out, I came out to my parents. I want to be a country artist.'"
With the growing support for marriage equality, there's hope that the country -- as well as country music -- will expand its acceptance of gays and lesbians. As for the fate of LGBTQ country music stars, Wright paraphrases a telling note from a fan: "I thought that I wasn't for equality. I guess you've made me change my mind a little bit."
Premiere: Big Dipper Is The Little Merbear In New Video, "Vibin'"
Fulfilling our childhood fantasy, bear rapper Big Dipper channels The Little Mermaid in his new music video, "Vibin," dressed as Ariel (or Hairiel) before growing his legs and falling in love at the beach. The Tobin Del Cuore-directed clip is a departure from BD's more aggressive "Bob N Weave" video with Byrell the Great, stocked with hunky, shirtless sailors, campy choreography and a barely-there sequin speedo. Never one to shy from sexual innuendos (because why should he) "Vibin" takes place on "Merbear Isle," just off the shore of "Skankland" and "Hidden Taint," surrounded entirely by "Seaman's Abyss."
"This is my 'Starships' moment," says the Chicago-bred, NY-based rapper, referring to Nicki Minaj's sun-soaked 2012 smash single. While the track shines with BD's tongue-in-cheek queer humor, it's definitely a power pop moment, designed for Top 40 radio play -- or in the very least, incessant looping during this year's pride parades.
"Vibin" is the first single off BD's newly-released EP, Extra Good, a five-track effort that's far more sugary than anything he's done in the past. "I wanted to see if I could get away with making songs that could be in a 'Sunny Delight' commercial," he explains. "It's sort of the opposite of what I've been doing lyrically in the past -- more metaphors and less actual dick in mouth shit." Dive into the Paper premiere of "Vibin," above.
We'll Soon Learn the Fate of One of Keith Haring's Most Important Works
With July 4th just around the corner, The CityKids Foundation is announcing the fate of Keith Haring's iconic American mural, "CityKids Speak on Liberty." Not only is it one of Keith's most patriotic works, but it is also the largest. The six-story piece depicting the Statue of Liberty first debuted in Battery Park on July 4th, 1986, celebrating the statue's 100th birthday. Since then, it has been exhibited all over the world from Milan to Paris. However, now after more than two decades, the work is finally returning to its home in New York, commemorating both the 25th anniversary of Haring's passing and the 30th anniversary of The City Kids Foundation. The press conference announcing the ultimate fate of Haring's work will take place tomorrow at the NOMO SOHO Hotel and will feature a special message from artist Kenny Scharf and and performance by Steven Prescod, star of the one man show, Brooklyn Boy.
Tinashe Debuts an Intoxicating New Video for "Cold Sweat"
Photographer Andi Galdi Vinko Captures the Strange Surreality of the Everyday
From Andi Galdi Vinko, Paradisco Exhibition, 2015
From Andi Galdi Vinko, Paradisco Exhibition, 2015
From Andi Galdi Vinko, Paradisco Exhibition, 2015
From Andi Galdi Vinko, Paradisco Exhibition, 2015
From Andi Galdi Vinko, Paradisco Exhibition, 2015
From Andi Galdi Vinko, Paradisco Exhibition, 2015
From Andi Galdi Vinko, Paradisco Exhibition, 2015
From Andi Galdi Vinko, Paradisco Exhibition, 2015
From Andi Galdi Vinko, Paradisco Exhibition, 2015
From Andi Galdi Vinko, Paradisco Exhibition, 2015
We Talk to the Stars of "Eden" About Fictionalizing the French House Experience
Finally: Rihanna's Getting Her Own Fashion Line
A/S/L: Exploring Web 1.0 with Tavi Gevinson
This week, we talk to Tavi Gevinson, who by this point is the rare person who may need little-to-no introduction. First as a fashion blogger under the title Style Rookie (which now functions as her personal site), then as the founder of Rookie, a thriving, influential online magazine for teen girls, Gevinson has had one of the most successful (and public) careers of anyone raised on the internet -- and she's moved, at least in part, offline with several other projects, including acting on Broadway. Considering that that Style Rookie started taking off when she was 12, an age when most other people are struggling through middle school, her early experiences with the internet seem inextricable from the direction her life has taken. Here's A/S/L.
What was your first screen name?
TaviToons7 because my friend's mom called me that. 7 was my lucky number and therefore my identity. I also feel I should tell you that I shared a Neopets account with two boys from our synagogue and that our username was jewsrule3. Isn't that the worst thing you have ever heard? I was still keeping up my own account because EVERY MAN FOR HIMSELF and my password was a misspelling of Good Charlotte because I was like, "Favorite band, favorite band...the boys, with the song!"
I was really into decorating the shops because customizing the design of your page was the most attractive quality, to me, of Myspace, which I wasn't allowed to have. My cool Rayanne-ish friends did, and were friends on it with all of their older, middle school-aged siblings and their friends and boyfriends. I asked my dad if it was OK to get a Xanga and he said no but I made it anyway and kept it up for maybe a weekend.
Chart the history of your life in websites, by listing the most important site to you each year you've been online. How did each of those help facilitate your understanding of how taste functions and is created online?
How daunting! So there were pet sites like Neopets and Webkinz (which required buying stuffed animals IRL which were pretty expensive and so when you got into that instead of Neopets you went on a bit of a Fergie's "Glamorous" journey). Simultaneously, dress-up ones like Stardolls/Paperdoll Heaven (I think they merged?) and Dollz, which had a tank top with the Playboy logo on it that I always thought it was cute until I found out what it meant and was mortified. Disney Channel had some pretty good games and every now and then I'll meander over to the Kim Possible page and give A Sitch in Time another whirl. I was very into the games on sites for IRL dolls like Polly Pocket, MyScene, Barbie, Bratz, and DivaStarz. PUT A "Z" ON IT AND I'M THERE.
What's the strongest relationship you've ever formed with someone you hadn't met IRL? Did it change if/when you met?
By now, the vast majority of people in my life and most of my closest friends are people I met somehow through "work," which started with my blog, then became other online stuff like Rookie or writing, and then offline stuff like acting.
When you were first online, did you ever create alternate identities online?
My friend and I kept a Xanga for like an inside joke character we created who was essentially a Napoleon Dynamite ripoff. (Answering this whole interview has been a form of time travel so thank you.)
What's the most important thing you've learned from the internet?
I believe blogging was most formative for me in what it must have done to my brain to discover most of the art that became important to me and pick apart why I gravitated towards it... that stuff is my DNA now. And trying to translate it into outfits and writing and internalize it all and build this constellation of stuff that I felt had taught me how to live? It goes beyond imagining how my life would've turned out without the publicness or opportunities; I would experience the world differently and be a completely different person. I think it's fascinating and I'm thankful for every bit of information I've processed. It deepened my ability to feel connected to other people's work -- which is like, the most blessedly wonderful thing about being human -- and all of it factors into my own.
Do you wish you had spent less time online when you were younger? Do you wish you spent less time on the internet now?
No and no. I probably shouldn't have stayed up on Tumblr till 5 AM but I was like, reading old profiles of elusive figures in fashion. Or maybe I've just forgotten all the shitty stuff I wasted time on. Now since being online is part of my job, I don't really like to spend extra time on it. It'd be like staying in the office after hours.
Scenes From the Coach Summer Party on the High Line
Chloe Grace Moretz, Kate Bosworth and Suki Waterhouse
Kiernan Shipka and Dylan Penn
Chloe Norgaard and Freeka Tet
Chloe Grace Moretz and Coach Creative Director Stuart Vevers
Susie Lau
Thelma Golden
Victor Luis, Diane von Furstenberg and Stuart Vevers
Adam Scott On Small Penises, Male Bisexuality and His New Movie The Overnight
From the douchey husband in Step Brothers to the perfect husband on Parks and Recreation to the neurotic husband on Tell Me You Love Me, Adam Scott has gotten plenty of opportunities to show off his range as an actor in the past few years. But in his new film The Overnight, which he co-produced along with his wife Naomi, Scott shows off a completely different side of himself. Scott fans have never seen him play a character this insecure and emotionally open before... and he's also pretty much naked in it.
Directed and scripted by newcomer Patrick Brice and co-produced by the Duplass Brothers, the raunchy Sundance hit stars Adam Scott and Taylor Schilling as young parents that struggle to make friends after moving to Los Angeles. After agreeing to a dinner party at the ultra-confident Jason Schwartzman's house, Scott is elated to make a new friend...and then things take a turn. You've perhaps already heard that there's a scene where Scott and Schwartzman dance around wearing prosthetic penises (Scott's fake one is a micro, Schwartzman gets to have the "goddamn horse cock."), but there's more to this modern Bob & Carol & Ted & Alice than fake dicks, as The Overnight explores the nature of modern masculinity and the difficulty of adult friendship and life after children in a smart, insightful and hilariously blue way.
I met with Scott at New York's Bowery Hotel to discuss selecting the right fake penis, life after Parks and Recreation and whether there will ever be any more Party Down. (The only thing he felt comfortable saying on record is that the outlook is not currently great.) He was charming and thoughtful throughout the conversation, but got especially animated (as did the teenager sitting next to us) when the conversation turned to Game of Thrones, so spoiler alert for the five people out there who haven't heard about that character who probably didn't really die in the season finale.
What attracted you to the project?
It's also a really relatable thing. You can be very happy in your love life, have a good job, but if you're in a town where you don't know people or if you're out of college and don't know how to meet friends, it can feel very lonely anyways.
Yeah, It's tricky. I was just saying to someone that the only ways I meet people now are through work or through my kids. I don't go out to bars anymore, just because I just don't have the time, and the reason work is the way to meet someone is that's where I spend all my time. Maintaining a friendship outside of work or my kids is almost impossible. So I can't imagine moving to a place where I didn't know anyone. I don't know how I would meet anyone.
So, there's a long history of actors turning down roles because they would be embarrassed or think they wouldn't look cool. But not only did you go for a role where you're playing a man with a small penis, you made it happen. You produced it.
When we said "yeah, let's do this," you know, making a movie is so hard, and it never happens, I sort of thought "this'll never happen," but my wife is very tenacious and aggressive, and she made it happen and so it was like "oh shit, so I actually have to do this stuff. This is going to be hard." And I'm so glad that we did, because it was a rewarding experience, and I think it turned out well, and it's nice to be able to go out and promote something and be like, really one hundred percent happy and really mean it when you're telling people they should see it. I could've played the other role, I guess. I just really connected to this role.
Obviously, you were wearing a prosthetic and everything, but you were still fairly naked in the film. Were you nervous at all during those scenes?
Super nervous, Jason and I were both super nervous, but then once we got those things on, we were weirdly comfortable. Because it looks like a real penis, and you're not wearing anything else, so for all intents and purposes everybody sees exactly what you would look like naked. But there's this psychological barrier, because it's not your penis. So we were far more comfortable than we thought we would be. We were hanging out on set. It just looked like two naked dudes, but we're not really naked -- it was very strange. And once you get in the pool - we were in the pool for a while and you get really water-logged -- it was actually kind of freeing, similar to how the character feels afterwards. I was far less self-conscious than I thought I would be.
How did you go about figuring out which one would look good on camera, what was that process like?
There was an e-mail chain somewhere between my wife, Duplass, and Patrick the director, and the guy who makes the prosthetics, trying to figure out which one is appropriate for the large one, and then we'd hold a photo up to it for scale. I remember at one point, they're like "here's the small one," and Duplass and I were both like, "Really, is that what people think is small? Okay, uh, maybe we should go smaller." At one point it was like, "Do we go micro micro penis or is that too extreme?" And then there was a dick that was so big it was just ridiculous. So we had to find a happy medium and, I think there's something interesting that the dick my character has is not a micro thing, it's more about how he feels about it, than anything.
Was your wife on set during like the sex scenes?
We had this whole conversation before we started shooting. "Taylor and I have this intimate scene. You should not be on set for that. The orgy, of course, you won't be there." But then we started making the movie, and everybody was having such a good time and we were all such fast friends that by the time that stuff rolled around, no one cared, and you realize, we're all grown-ups and professionals, who gives a shit? So it was all totally fine.
Do you read Dan Savage at all?
Dan Savage?
Yeah, the sex columnist.
No.
He talks a lot about how like male bisexuality, on the spectrum of human sexuality, is often denigrated or ignored, but it's very common for men to be curious about other men in a way. And sometimes it is subtext in films, but here it's front and center.
It's so true, like there are so many quote unquote, I don't want to say "bromance" but, there are a lot of movies that I've seen in the past 15 years where it's like the next scene would've been them making out.
Yeah, I agree.
And these two guys, you know, I don't want to spoil anything because it's such a great moment when it unfolds in the movie, but I love that Patrick had the guts to go there.
Like, I Love You, Man... at the end of it, it's like, Paul Rudd and Jason Siegel should just marry each other.
Maybe that's the sequel.
How does it feel to be done with Parks and Recreation? Is it scary to not have that paycheck and constant exposure, or nice to have more time to explore things?
I never took that show for granted. I don't think any of us did. We all talked a lot, through the whole five years I was there anyway, about how lucky we all were to be on a show that's actually good, and on a network, and we were all really into it, so for it to end was tricky emotionally, because we all felt like it was the right time to end story-wise, and it was still good, so why not end when the show is still working, but at the same time you're saying goodbye to your friends and to a job, so yeah, it is scary, but it's exciting. I want to keep doing television. I don't know if I want to find a comedy to do or something else, I'm just sort of taking it slow and patrolling around for something.
Are you looking to produce any more projects?
Well, we have a couple shows in development at Universal, one that's at NBC. Joe Mande's writing it. It's about the green rush in Colorado. It's called Buds. We're very, very busy with stuff.
Now, I know the Parks and Recreation writers often based characters on their actors' real lives. Your character was a big Game of Thrones fan. Are you?
Yeah.
Did you see the finale?
Yeah!
Do you think Jon Snow is dead?
I don't know. I tend to think no, just because I think he's touched, I think he's a little too special, I think when he killed that white walker and the leader of the white walkers took note and was clearly impressed, there's something special happening there. So I think there's something inside that guy that he can't die. What do you think?
It's A Song of Ice and Fire right? So it has to be him versus Khaleesi at the end.
Is Ice and Fire the next book?
No, the book series is actually called A Song of Ice and Fire, Game of Thrones is like one title in the series. Plus there's like a sorceress, right there.
(A teenager sitting next to us) Did you watch the episode?
Yeah.
Teenager: Did you see when he dies?
There's a sorceress right there who can raise the dead. He'll be fine. He'll be fine.
Wait wait -- who can raise the dead?
Uh, the fire priestess. Melisandre.
She can raise the dead?
Yeah. Or I think the Lord of Light can.
The actor said "I'm dead."
Oh that's just tricking the audience. If he was done, he would've shaved, he would've gotten a haircut.
Do you think he can come back as a white walker, maybe?
I hope not, but maybe. But I do not think he's dead.
No, I don't think he is either.
But I bring this up because one complaint people have in this show is there's a lot of female nudity and not much male nudity.
Uh-huh.
As a person who has now more or less done it, why do you think it's so scary for actors or producers to want to go there?
Because it's uncomfortable, you know? I don't blame people for not wanting to do it. It would've been a whole different thing if I didn't have the prosthesis on there. It's uncomfortable doing sex scenes, it's uncomfortable for good reason. I think Game of Thrones should keep doing what it's doing, unapologetically being the show it is.
So what's your next project going to be?
You know, I haven't had a break in -- my wife and I figured out -- I haven't had a significant break in... (long pause).... four years.
Really?
I've just been going nonstop for a while, so I'm just gonna stop and relax. I feel like the show ending, it's maybe time to sort of reassess and just really figure out what I wanna do.
What do you think you're going to do on your break?
We're gonna go to the beach. We rented a little house, and my kids and my wife and I are gonna go there for ten days. They're eight and six. And I think they're gonna be happy that I'm taking a break, too.
So you can really relate to the stressed out parent thing that you're playing in the movie.
Yeah, for sure. I think it's an interesting thing about the movie, you put down your roots, you feel like you have to be a rock for these other people in your family, and so you stop changing, because you feel like, "okay, now I'm this, the die has been cast. This is who I am," and you forget that you can change. You can evolve still. I think the characters in the movie discover that.
See Big Sean Give Us 2-for-1 with "All Your Fault" and "I Know"
Singer / Social Star Troye Sivan Talks Growing Up & Coming Out in the YouTube Age
Coach's New Campaign Stars Celebrity Dogs
Image courtesy of Coach
Scenes from Westgay's Penultimate Bash Ft. a Performance By Azealia Banks
Azealia Banks
Azealia Banks
Greg Krelenstein
Frankie Sharp
Azealia Banks
Azealia Banks
Watch the Trailer for a New Documentary About the Life of Jeremy Scott
Jeremy Scott is the subject of a new documentary that looks at the designer's rise from small-town kid growing up in Kansas City to success in the fashion industry with his namesake line and recent creative direction for Moschino. Directed by Vlad Yudin's, Jeremy Scott: The People's Designer, features interviews with some of Scott's family members and famous friends and fans like A$AP Rocky (who praises Scott for having "changed his life"), Katy Perry, Rita Ora and Miley Cyrus. The first trailer came out today and the doc itself will be released in the midst of fashion month on September 18th.
10 Gay Club Legends Who Lit Up NYC Nightlife
KIKI MASON
Pittsburgh-born Kiki (born Curtis) was a flamingly fun guy who became galvanized by the AIDS crisis, especially when he developed AIDS himself. He persuasively chronicled his experiences for Poz magazine and died, feisty to the last minute, at 36 in 1996. Kiki brightened many a club with his wit and fury.
DEREK NEEN
In 2009, I named Kiki's friend Derek the best doorman in town for his smooth work at Beige on Tuesdays and Splash on Saturdays. (He had also become legendary for doing the Roxy door.) As Derek told me at the time, running a good door "requires patience, an open mind, and a firm hand." He had all of that -- and then some -- and people were shocked and saddened when he committed suicide in his native Canada last year.
JOHN SEX
A glittery parody of a Vegas lounge singer, John (born John McLaughlin in Long Island) sported a shellacked hair horn and sequin-y jackets and delightfully sang "Hustle With The Muscle," backed by his drag queen-y (but female) Bodacious TaTas. The sight of John sharing a photo op with the Barnum and Bailey "unicorn" at the club Area was one of the most surreally memorable visions of that era as the two creatures playfully butted heads for the cameras. John died of AIDS-related causes in 1990.
ROLLERENA
In the 1970s, a man in a gown, cubist eyeglasses, and a magic wand glided around on skates through the ultimate disco, Studio 54. No one knew why, but everyone said, "Wow!" I hate the word "iconic," but this was truly one of those kinds of images, and in my mind's eye, he's still rolling and swirling.
EVA KOTCHEVER
In the 1920s, a pioneer named Eva ran a feminist speakeasy downstairs at 129-MacDougal Street. A Jewish lesbian who had fled Poland, Eva hosted poetry readings, discussions, and performances at the club, primarily for those of the female gender. The sign on the door said it all: "Men are admitted, but not welcome." That sign should be everywhere.
DEAN JOHNSON
In the 1980s, Dean (and his band, the Weenies) brought humor and spunk to a nightlife scene that craved it. Just another 6' 6" bald man in a dress singing "Fuck Union Carbide," he served riotously rageful rap songs at his weekly night at the World club called Rock and Roll Fag Bar, which defiantly injected sex and sexuality back into clubbing. Dean died of an overdose in 2007, but the whole thing was deemed mysterious and in need of further investigation.
Born in a Baltimore suburb, Cookie rocked the John Waters oeuvre as a campy actress and she also sparkled as a sexy, funny writer who helped paved the way for more mainstream stuff like Sex and the City. The bi icon sadly died of AIDS in 1989.
INTERNATIONAL CHRYSIS
Chrysis was a knockout beauty who was sort of a saucier, trans version of Cyd Charisse, full of glamour and high kicks. A member of the Hot Peaches theater troupe, she performed shows like Jesus Chrysis Superstar in the clubs and had a small role in the 1990 movie Q&A. She died that same year, reportedly due to problems caused by hormones.
BRUCE JOPE AND FRANCIS TOOHEY
These two campy queens did an '80s magazine called Hit Parade, which started in Boston in '78 and grew like a gay fungus. The mag had large pages that were filled with colorful chatter, gossip, interviews, travel reports, and photos from then-hot clubs like the Red Parrot and Interferon. They let me do virtually all of the above for them, and I adored sharing my innermost attempts at witticisms with their readers. It was all so glam, back when gay was a lot more fringe-y and different. And Bruce and Francis were gay-married even before gay marriage. Francis sadly passed away just last week, so please check out Bruce on Facebook and send him your love. Meanwhile, I'm sending you all mine. Let's make this Pride week extra prideful.